HAPPY APRIL! I hope this month brings a lot of joy, delight and abundance to you. I’m here to request help on assignment 2!
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Assignment 2:
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One of my goals this year is to write 40 songs and choose the best of those 40 to release a brand spankin’ new album. I know I know, 40 songs is a LOFTY goal, but so far I’ve written 9! So I feel like I’m off to a good start.
Now, since I am in the very early planning phases of the album, one of the first things that needs to be addressed is financing. I need to find a way to raise money to be able to fund this album and it’s subsequent launch.
The costs associated with a successful album launch are HUGE. Not only am I paying for the album creation itself, I also have to pay for at least two music videos, marketing/advertising, publishing and merchandise. I have no idea at this point how much everything would cost, but on the higher end, I’m guessing upwards of $25 000, and on the lower end I think I could get by with maybe $12 000 — but that would be scraping.
I really want to make a fully produced album this time around – full beautiful robust instrumentation, airy vocals, meaningful subject matter that connects each song with the next. I have big deams yo! The last full album I released was strictly acoustic, which was beautiful, but this time I really want to make a statement piece, and show the world what I can really do.
SoooOo here’s where assignment 2 comes in.
I need IDEAS! Good, amazing, out-of-the-box crowdfunding / fund-raising ideas to help raise the capital that’s going to make this album happen.
I’ve done an indiegogo crowdfunding campaign for my 2017 which went over well, I came close to meeting my goal and ended up raising $7772. I’ve tried the monthly subscription model on Patreon for several years which went OK…. and I would consider it again, but I can’t say it really worked wonders in terms of the financial aspect.
I’ve thought about doing an album “pre sale” strategy since I’ve never tackled that before. But honestly, who buys music these days?! I’d say the majority of fans today stream on spotify or apple music, OR they listen on Sirius XM….. all of which make the idea of a “pre sale” obsolete. — What do you do? Do you stream, or do you buy?
At the moment, doing an “in person” live fundraising concert is out of the question largely because of COVID but also because my fans live all over the place. I think doing something in person would be more challenging to raise enough funds.
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So, I need your GREAT, AMAZING, ONE-OF-A-KIND ideas! Throw anything and everything at me, I’m all ears.
TEAM Meeting Time: Apr 15, 2021 05:00 PM Pacific Time Meeting ID: 758 7671 8488 Passcode: gMDn4iJOIN
I’d like to host our first Team Meeting to discuss Assignment #2 on a google zoom! I’ve never done this before, and I think it’ll be fun. This meeting will take place on THURSDAY April 15th at 5pm PST. I have no idea what timezone you are all in, but hope this date/time will work in your schedule.
Please start thinking about your fundraising ideas for assignment 2. If you can’t make the meeting, please post your ideas in the comments below and I will bring them up during the meeting. Otherwise, see you in 2 weeks and I CAN’T WAIT TO MEET YOU!!!
It’s Mary Riley. I’m sorry I won’t be able to make the meeting due to work commitments (being a nurse in an ambulatory care facility makes making any plans when on the late shift impossible).
I’m certainly far from being computer savvy so my ideas may be limited.
What about offering to send a song somehow to a donor’s honoree for a price? For instance: a donor would like to send a special song to her husband on his birthday. Perhaps it may cost you nothing but for a nominal fee of $50 (or whatever) he will get his song.
I liken it to what I do. For instance, I am catholic and on special days like birthdays or anniversaries i send money to a religious group to pray for the recipient of the card I send. And the card lets the recipient know the intention.
It’s a thought anyway. I will catch up but now break is over. Back to work;)
HI Jess! I am so excited to hear all about your plans for a new album! The thought of 40 more of your songs just existing in the world and then some of them being produced on an album like you described is just thrilling! The world needs your light right now and your music will be like balm to the world’s aching soul. I am disappointed that I cannot come to the meeting scheduled for the 15th at 5p. I will be anxious to hear what the others say. In answer to your question, do I stream or buy?, we buy at our house. As for fundraising – the only idea I have come up with is to charge for an online concert or Q & A sort of thing. It seems a lot of artists are doing this now using veeps for charging the tickets. The cost for a couple of things we have signed up for has been 15-100$ depending on the artist and the platform/experience. I hope that you get some good feedback from folks at the meeting. PS – I love the idea of a song writing retreat weekend that Alain suggested! ~ Quay
Thank you soooo much Quay for your input! Super helpful. I’d never heard of veeps before so thank you for adding that. Perhaps doing an online concert but charging extra for a Q&A portion before or after the show would be a cool idea! I’, not sure I’d raise the capital I need though.. However I could consider doing this several times!
Hi!
I am on several travel forums, and some of the travel guides on the forums are getting creative with fund-raising since their only source of income has been zero’d out for the last year or so. Some of them are offering virtual tours, usually via Zoom or something similar. Sometimes its an acutual live walk around their city, sometimes its more like a lecture or slideshow, They are usually 1 or 2 hours and some are free, and some charge $5 to $20.
You could maybe do something similar for virtual concerts, although it may be quite time consuming to raise as much as you need for the album.
I’m planning to join in to the Team meeting, but thought I’d post my idea, in case I don’t make it!
Jessica, I wouldn’t be able to attend due to a prior commitment.
Since you tried all the other sources and it wasn’t that successful I suggest you look into Equity crowdfunding.
Jessica,
i’m in i used Google chrome i hope it keeps working..
One idea i have is have you ever done music for tv commercials and movies. or submitted your music for such endeavor it’s not usably full song it would be quicker and you could raise money for an album.
i would guess you have an agent make him look for contact in the commercial side of music..
Another idea is put on a song writing retreat together, have room for 10 participants at $1;000.00 rand over a long weekend..
it could be organized to be a fun gathering and you could work one on one with participants,
What about playing folk festivals all around Canada. might be to late for this year but next year!!!
Unfortunately, I can’t make that meeting :(. Would’ve loved to meet you and DaGreg and everyone else!
Currently I stream most music, but I buy a song that really hits home with me. Sad to say, when Google Play switched over to YouTube Music, all I get is like 3 minute buffering between playing songs, so I hardly listen to my own purchased music anymore. Drives me crazy. I hate YouTube Music.
I don’t really have any funding ideas. If I had the capital, I would fund you myself. That’s how much I enjoy your music.
We will have another meeting some time down the road, so don’t worry Steven! I look forward to meeting you virtually when the time aligns with your schedule at another meeting.
Hi. I will try to join the team meeting. I do think pre-sale fund raising is well used by a number of artists. I’ve supported a few of my “favourites” in this way, even well established musicians who you would assume don’t really need this sort of backing! Anyway I still buy a lot of music e.g. I own pretty much all your recordings among many others, because I think the musician should be rewarded directly for what they do. But I do stream as well – mainly a lot of back catalogue stuff from bands I’ve been listening to for years, re-mixes and for discovering new music and artists. Hope this helps.
Hi Jeff! It would be great to finally meet you virtually! Thank you for your input and advice as well, it’s good to know and get a scope of what people do these days to support their fav artists. 🙂
COMPOSER AGREEMENT - Must read and accept terms to purchase Gift of Song
PLEASE READ THIS UNIVERSAL TERMS OF SERVICE AGREEMENT CAREFULLY, AS IT CONTAINS IMPORTANT INFORMATION REGARDING YOUR LEGAL RIGHTS AND REMEDIES.
OVERVIEW
This Universal Terms of Service Agreement (this “Agreement”) is entered into by and between Jessica Allossery, an individual (the "Composer") and you (the “Client”), and is made effective as of the date of your use of this website ("Site") or the date of electronic acceptance. This Agreement sets forth the general terms and conditions of your use of the Site and the products and services purchased or accessed through this Site (individually and collectively, the “Services”), and is in addition to (not in lieu of) any specific terms and conditions that apply to the particular Services.
WHEREAS the Composer is a professional songwriter;
AND WHEREAS, the Client wishes to engage the Composer to compose a composition and/or soundrecording utilizing ideas and input from the Client.
IN CONSIDERATION of the conditions contained herein, the parties hereto agree as follows:
1. Composer’s Services
Composer shall write, compose, orchestrate, arrange, conduct, perform, record, mix, and produce such original musical compositions, original musical score, and original sound recording of the same (the “Music”) as Client may require for potential performance by the Client. Composer shall perform all services as and when reasonably required by Client in connection with the Music. Composer shall render services hereunder on a non-exclusive basis commencing on such date as Client shall designate for the Work and continuing through the date that all Delivery Requirements in Paragraph 2 below have been satisfied. Composer will make reasonable efforts to complete deliverables by Client’s reasonably proposed dates.
2. Delivery Requirements
Composer shall complete the recording and mixing of the Music, and obtain Client’s final approval of same, so that Composer shall deliver the recorded Music to Client in a format acceptable by both parties on a date agreed to by the parties. Collectively, the foregoing materials shall sometimes be referred to herein as the “Delivery Materials.” Composer shall be allocated a minimum of three (3) weeks to prepare the Music. Orders for delivery less than three (3) weeks shall be subject to a rush fee to be determined between the parties.
3. Budgetary Requirements
Composer acknowledges that the amounts payable as specified in this paragraph 3 include all amounts necessary to create and deliver the Music and Delivery Materials and all amounts due to Composer to compensate for her services rendered and rights granted hereunder. Composer shall be solely responsible for all costs in excess of the amounts payable as specified herein.
Subject to Composer performing all obligations hereunder, and in full consideration for any and all services rendered by Composer and all rights granted hereunder, Composer shall be entitled to receive the fee associated with the Work as accepted and paid by you.
4. Additional Covenants of Composer
Composer agrees that it shall:
a) Render its services hereunder to the full extent of its creative and artistic skill and technical ability;
b) Not disclose to any party information relating to the subject matter of this Agreement or to the activities of Client with respect to the Work or otherwise;
c) Not incur any liability or expense on Client’s account without Client’s prior written approval, and if such approval is given, Composer will provide Client with any information necessary to satisfy such obligation, including copies of any necessary agreements.
5. No Obligation to Use Music or Exploit Work
Nothing contained in this Agreement shall be deemed to require Client or its assigns to publish, perform record, reproduce or otherwise use the Music, any part thereof, or any of the proceeds of Composer’s services hereunder, whether in connection with the Work or otherwise.
6. Grant of Rights
Client agrees that Composer shall own without limitation, throughout the universe, exclusively and in perpetuity, free and clear of any and all claims, liens and encumbrances, all rights, title and interest of every kind whatsoever, whether now known or unknown, in and to all music written, composed, recorded, orchestrated, arranged or adapted by Composer in connection with the Music, the master recordings embodying the Music, and the results of the Composer’s services hereunder, without any obligation or liability to pay Client any compensation therefor except as explicitly provided herein. Without limiting the generality of the foregoing, Client acknowledges that included within the above-referenced rights and interests are (a) all worldwide copyrights, allied, and neighboring rights, in and to the Music, the compositions and sound recordings embodied within the Music, and such results and proceeds, and all renewals and extensions thereof, (b) all music publishing rights, and (c) all rights and interests of every kind now or hereafter existing under and by virtue of any common law rights. The Music has been specifically ordered or commissioned by Client for use, and the Music is a work made for hire and the Composer shall be deemed the author of all the Music for purposes of applicable copyright law. If for any reason the Composer is not deemed the author of the Music, Client hereby assigns all such results and proceeds and all rights therein (including, without limitation, all copyrights therein) to Composer irrevocably and in perpetuity.
7. Publicity
Client may use, and permit others to use, Composer’s name, likeness, and biographical material in and in connection with the Music.
8. Warranties
Each party represents and warrants that it has the right to enter into this Agreement and to grant all rights herein granted, that they have not entered into or will enter into any agreement of any kind (including, without limitation, recording agreements) which will interfere in any way with the complete performance of this Agreement by them, that all musical material delivered by them hereunder (including, without limitation, the Music and the Delivery Materials) is original with them and does not infringe upon or violate any copyright or common law or statutory right of any person, firm, or corporation.
9. Credit
Composer shall credit substantially as follows: “Produced by Jessica Allossery.” Subject to the foregoing, all other characteristics of such credit or any other credit shall be determined by Composer in its sole discretion. No casual or inadvertent failure by Client to comply with the credit requirements set forth above, nor any failure by third parties to so comply, shall constitute a breach of this Agreement by Client.
10. Notices
All notices which either party is required or may desire to serve hereunder shall be in writing and shall be served to the addresses specified herein.
11. Independent Contractor
The Composer warrants that he or she is an independent contractor and is not an employee of the Client.
12. Miscellaneous
a) This instrument constitutes the entire agreement of the parties hereto relating to the subject matter specified herein. This Agreement can be modified or terminated only by a written instrument executed by both Composer and Client or Client’s successors and assigns.
b) This Agreement will in all respects be governed by and interpreted, construed and enforced in accordance with the laws of the Province of Ontario. Any action arising out of or relating to this Agreement, its performance, enforcement or breach will have jurisdiction and venue in a provincial or federal court situated within the Province of Ontario; and the parties consent and submit themselves to the personal jurisdiction of said courts for all such purposes.
CHECK THE BOX to indicate your acceptance of the terms and conditions outlined above.
NON-DISCLOSURE & COMPOSER AGREEMENT - Must read and accept terms to Register or Login as a Team Member
PLEASE READ THIS UNIVERSAL TERMS OF SERVICE AGREEMENT CAREFULLY, AS IT CONTAINS IMPORTANT INFORMATION REGARDING YOUR LEGAL RIGHTS AND REMEDIES.
OVERVIEW
This Universal Terms of Service Agreement (this “Agreement”) is entered into by and between Jessica Allossery, an individual (the "Composer") and you (the “Team Member”), and is made effective as of the date of your use of this website ("Site") or the date of electronic acceptance. This Agreement sets forth the general terms and conditions of your use of the Site and the products and services purchased or accessed through this Site (individually and collectively, the “Services”), and is in addition to (not in lieu of) any specific terms and conditions that apply to the particular Services.
WHEREAS the Composer is a professional songwriter;
AND WHEREAS, the Team Member who wishes to participate in the Composers team membership offerings in the “Team Member Portal”, is volunteering personal ideas and input for the betterment of the Composers business strategy to create new Content.
AND WHEREAS, The Team Member Portal is the online membership location where the Composer displays confidential information “Content" in the form of publicly unreleased blog posts, comments, surveys, videos, open chat rooms and the like. The Team Member who wishes to participate in the Composers offerings registers with a password protected account to access the Team Member Portal with the Content.
AND WHEREAS, The Content is any and all works derived or modified as a result of input of the Team Member within the Team Member Portal.
IN CONSIDERATION of the conditions contained herein, the parties hereto agree as follows:
1. Composer’s Services
Composer shall open a private discussion online via website, video chat or otherwise, in The Team Member Portal to engage Team Members’ ideas and feedback. Composer shall render services hereunder on a non-exclusive basis commencing on such date as Team Member registers online, and shall designate for the Work and continuing through the date until Team Member or Composer terminates membership account. The foregoing materials related to, created in and/or created as a result of the survey results, ideas or discussions in The Team Member Portal shall sometimes be referred to herein as “The Content.”
2. Delivery Requirements
Composer shall engage Team Member in Team Member Portal when team input is required for the furthering of its career. Composer shall decide exclusively when input is required, and will request assistance in the form of (including by not limiting to) opinions, ideas and feedback by Team Member. Composer shall be allocated as much time personally deemed as necessary, and in perpetuity, to prepare the content for Team Members input.
3. Budgetary Requirements
Composer acknowledges that Team Members are not required to provide monetary compensation to participate in the team membership subscription. Composer retains the rights to charge for this subscription model in the future at any time, with appropriate advance notice delivered to Team Member. Team Member retains the rights to cancel membership at any time. Composer retains the rights to terminate the Team Member’s subscription at any time, under any circumstance. Composer also retains rights to cancel indefinitely, or put on pause for any length of time deemed necessary by Composer, the Team Member Portal at any time, and without notice.
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b) Exclusions from Confidential Information: Team Member’s obligations under this Agreement do not extend to information that is: (a) publicly known outside of the Team Members Portal at the time of disclosure or subsequently becomes publicly known through no fault of the Receiving Party; (b) discovered or created by the Team Member before disclosure by Disclosing Party; (c) learned by the Team Member through legitimate means other than from the Composer or Composers representatives; or (d) is disclosed by Team Member with Composer’s prior written approval.
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d) Obligations of Composer: Nothing contained in this Agreement shall be deemed to require Composer or its assigns to publish, perform record, reproduce or otherwise use the content in the Team Member Portal, any part thereof, or any of the proceeds of Composer’s services hereunder, whether in connection with the Work or otherwise.
e) Time Periods: The nondisclosure provisions of this Agreement shall survive the termination of this Agreement and Team Member’s duty to hold Confidential Information in confidence shall remain in effect until the Confidential Information no longer qualifies as a trade secret or until Composer sends Team Member written notice releasing Team Member from this Agreement, whichever occurs first.
5. Grant of Rights
Team Member agrees that Composer shall own without limitation, throughout the universe, exclusively and in perpetuity, free and clear of any and all claims, liens and encumbrances, all rights, title and interest of every kind whatsoever, whether now known or unknown, in and to all Content produced and written, composed, recorded, orchestrated, arranged or adapted by Composer in connection with the Team Members Portal and the results of the Team Member’s participation of services hereunder, without any obligation or liability to pay Team Member any compensation therefor except as explicitly provided herein. Without limiting the generality of the foregoing, Team Member acknowledges that included within the above-referenced rights and interests are (a) all worldwide copyrights, allied, and neighboring rights, in and to The Content, music, compositions and sound recordings embodied within the Content, and such results and proceeds, and all renewals and extensions thereof, (b) all music publishing rights, and (c) all rights and interests of every kind now or hereafter existing under and by virtue of any common law rights. The Composer shall be deemed the author of all the Content or music for purposes of applicable copyright law. If for any reason the Composer is not deemed the author of the Music, Team Member hereby assigns all such results and proceeds and all rights therein (including, without limitation, all copyrights therein) to Composer irrevocably and in perpetuity.
6. Warranties
Each party represents and warrants that it has the right to enter into this Agreement and to grant all rights herein granted, that they have not entered into or will enter into any agreement of any kind (including, without limitation, recording agreements) which will interfere in any way with the complete performance of this Agreement by them, that all material delivered by them hereunder (including, without limitation, the Content and The Input of the Team Member) is original with them and does not infringe upon or violate any copyright or common law or statutory right of any person, firm, or corporation.
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Hi Jessica:
It’s Mary Riley. I’m sorry I won’t be able to make the meeting due to work commitments (being a nurse in an ambulatory care facility makes making any plans when on the late shift impossible).
I’m certainly far from being computer savvy so my ideas may be limited.
What about offering to send a song somehow to a donor’s honoree for a price? For instance: a donor would like to send a special song to her husband on his birthday. Perhaps it may cost you nothing but for a nominal fee of $50 (or whatever) he will get his song.
I liken it to what I do. For instance, I am catholic and on special days like birthdays or anniversaries i send money to a religious group to pray for the recipient of the card I send. And the card lets the recipient know the intention.
It’s a thought anyway. I will catch up but now break is over. Back to work;)
Hope meeting goes well!
Mary
HI Jess! I am so excited to hear all about your plans for a new album! The thought of 40 more of your songs just existing in the world and then some of them being produced on an album like you described is just thrilling! The world needs your light right now and your music will be like balm to the world’s aching soul. I am disappointed that I cannot come to the meeting scheduled for the 15th at 5p. I will be anxious to hear what the others say. In answer to your question, do I stream or buy?, we buy at our house. As for fundraising – the only idea I have come up with is to charge for an online concert or Q & A sort of thing. It seems a lot of artists are doing this now using veeps for charging the tickets. The cost for a couple of things we have signed up for has been 15-100$ depending on the artist and the platform/experience. I hope that you get some good feedback from folks at the meeting. PS – I love the idea of a song writing retreat weekend that Alain suggested! ~ Quay
Thank you soooo much Quay for your input! Super helpful. I’d never heard of veeps before so thank you for adding that. Perhaps doing an online concert but charging extra for a Q&A portion before or after the show would be a cool idea! I’, not sure I’d raise the capital I need though.. However I could consider doing this several times!
Hi!
I am on several travel forums, and some of the travel guides on the forums are getting creative with fund-raising since their only source of income has been zero’d out for the last year or so. Some of them are offering virtual tours, usually via Zoom or something similar. Sometimes its an acutual live walk around their city, sometimes its more like a lecture or slideshow, They are usually 1 or 2 hours and some are free, and some charge $5 to $20.
You could maybe do something similar for virtual concerts, although it may be quite time consuming to raise as much as you need for the album.
I’m planning to join in to the Team meeting, but thought I’d post my idea, in case I don’t make it!
Interesting comparison, Matt! Thanks for sharing a new idea! We can discuss it during the meeting! Hope you’ll be able to make it
Jessica, I wouldn’t be able to attend due to a prior commitment.
Since you tried all the other sources and it wasn’t that successful I suggest you look into Equity crowdfunding.
Thanks so much for your input Philip! I’m not super familiar with Equity crowdfunding. Can you shed a little light?
Jessica,
i’m in i used Google chrome i hope it keeps working..
One idea i have is have you ever done music for tv commercials and movies. or submitted your music for such endeavor it’s not usably full song it would be quicker and you could raise money for an album.
i would guess you have an agent make him look for contact in the commercial side of music..
Another idea is put on a song writing retreat together, have room for 10 participants at $1;000.00 rand over a long weekend..
it could be organized to be a fun gathering and you could work one on one with participants,
What about playing folk festivals all around Canada. might be to late for this year but next year!!!
Regards
Alain Boulet
Thank you Alain! I will bring up these points on the virtual team meeting next thursday!
Unfortunately, I can’t make that meeting :(. Would’ve loved to meet you and DaGreg and everyone else!
Currently I stream most music, but I buy a song that really hits home with me. Sad to say, when Google Play switched over to YouTube Music, all I get is like 3 minute buffering between playing songs, so I hardly listen to my own purchased music anymore. Drives me crazy. I hate YouTube Music.
I don’t really have any funding ideas. If I had the capital, I would fund you myself. That’s how much I enjoy your music.
We will have another meeting some time down the road, so don’t worry Steven! I look forward to meeting you virtually when the time aligns with your schedule at another meeting.
Hi. I will try to join the team meeting. I do think pre-sale fund raising is well used by a number of artists. I’ve supported a few of my “favourites” in this way, even well established musicians who you would assume don’t really need this sort of backing! Anyway I still buy a lot of music e.g. I own pretty much all your recordings among many others, because I think the musician should be rewarded directly for what they do. But I do stream as well – mainly a lot of back catalogue stuff from bands I’ve been listening to for years, re-mixes and for discovering new music and artists. Hope this helps.
Hi Jeff! It would be great to finally meet you virtually! Thank you for your input and advice as well, it’s good to know and get a scope of what people do these days to support their fav artists. 🙂
OK. Just trying to work out the time difference!
Just saw that it is 5pm pacific time which means middle of the night in Norway. So won’t be able to attend after all. Sorry!
Ahh I was afraid of that happening. I am going to try to find a way to record the call and post it for those who weren’t able to make it.
OK I think the time difference is 9 hours.